1865-1925was a Swiss painter and printmaker associated with Les Nabis. He was an important figure in the development of the modern woodcut. He was born into a conservative middle class family in Lausanne, and there he attended College Cantonal, graduating with a degree in classical studies in 1882. In that year he moved to Paris to study art under Jules Joseph Lefebvre and Gustave Boulanger at the Academie Julian. He spent many hours in the Louvre, where he greatly admired the works of Holbein, Derer and Ingres; these artists would remain exemplars for Vallotton throughout his life.[1] His earliest paintings, such as the Ingresque Portrait of Monsieur Ursenbach (1885), are firmly rooted in the academic tradition, and his self portrait of 1885 (seen at right) received an honorable mention at the Salon des artistes français in 1886. During the following decade Vallotton painted, wrote art criticism and made a number of prints. In 1891 he executed his first woodcut, a portrait of Paul Verlaine. The many woodcuts he produced during the 1890s were widely disseminated in periodicals and books in Europe as well as in the United States, and were recognized as radically innovative in printmaking. They established Vallotton as a leader in the revival of true woodcut as an artistic medium; in the western world, the relief print, in the form of commercial wood engraving, had long been mainly utilized unimaginatively as a medium for the reproduction of drawn or painted images and, latterly, photographs. Vallotton's starkly reductive woodcut style features large masses of undifferentiated black and areas of unmodulated white. While emphasizing outline and flat patterns, Vallotton generally made no use of the gradations and modeling traditionally produced by hatching. The influences of post-Impressionism, symbolism and the Japanese woodcut are apparent; a large exhibition of ukiyo-e prints had been presented at the École des Beaux-Arts in 1890, and Vallotton, like many artists of his era an enthusiast of Japonism, collected these prints. He depicted street crowds and demonstrations including several scenes of police attacking anarchists bathing women, portrait heads, and other subjects which he treated with a sardonic humor. His graphic art reached its highest development in Intimit's (Intimacies), a series of ten interiors published in 1898 by the Revue Blanche, which deal with tension between men and women. Vallotton's prints have been suggested as a significant influence on the graphic art of Edvard Munch, Aubrey Beardsley, and Ernst Ludwig Kirchner .By 1892 he was affiliated with Les Nabis, a group of young artists that included Pierre Bonnard, Ker-Xavier Roussel, Maurice Denis, and Edouard Vuillard, with whom Vallotton was to form a lifelong friendship. During the 1890s, when Vallotton was closely allied with the avant-garde, his paintings reflected the style of his woodcuts, with flat areas of color, hard edges, and simplification of detail.  Related Paintings of Felix Vallotton :. | Portrait decoratif of Paul Verlaine | Landscape, | Mme.Felix Vallotton | The Kiss | Nude Kneeling against a red sofa |
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Turkey, born 1842 - died 1910
Henry Inman
American Painter, 1801-1846,was an American portrait, genre, and landscape painter.He was born at Utica, N. Y., October 20, 1801, and was for seven years an apprentice pupil of John Wesley Jarvis in New York City. He was the first vice president of the National Academy of Design. He excelled in portrait painting, but was less careful in genre pictures. Among his landscapes are "Rydal Falls, England," "October Afternoon," and "Ruins of Brambletye." His genre subjects include "Rip Van Winkle," "The News Boy," and "Boyhood of Washington;" his portraits, those of Henry Rutgers and Fitz-Greene Halleck in the New York Historical Society, of Bishop White, Chief Justices Marshall and Nelson, Jacob Barker, William Wirt, Audubon, DeWitt Clinton, Martin Van Buren, and William H. Seward.
NEER, Aert van der
Dutch Baroque Era Painter, ca.1603-1677 Dutch landscape painter. Working mostly in Amsterdam, he excelled in painting unusual light effects, such as moonlight, sunsets, conflagrations, and glimmering light on snow and ice. His winter landscapes are among the best in Dutch art. He is well represented in many European galleries. The Metropolitan Museum has his Sunset, The Farrier, and Landscape. His son and pupil, Eglon Hendrik van der Neer, 1634C1703, was a genre, landscape, and portrait painter. He was court painter to the elector palatine in Desseldorf. He excelled in painting luxurious interiors, hunting scenes, and mythological or biblical subjects in Dutch settings.